Draft selection for submission to Photolucida: Critical Mass
Photolucida: Critical Mass
Artist: Ken Lyon
Date: June 2026
Submission Title: “suspensions, tensions and illusions”
Artists Statement:
PURPOSE
The images in this submission were culled from a recent ten-year period, the period that correspond with my initial use of digital capture. There is a tension within them, a tension based on obvious visual tells - wires, cables, etc - or in some a more abstract, under-the-surface, subtleties - illusions that can be unsettling or uncomfortable. Uncomfortable in the ‘not quite sure what I’m seeing’ perspective. Although these images have not been premeditatedly assembled as a group, they are simply a collection of images that somehow tie together - or juxtapose with each other - and perhaps help to define my photographic vision.
PROCESS
All the images presented are digitally captured using a black and white sensor, then ‘processed’ in Lightroom. For many years, in the pre-digital era, I worked with huge cameras to be able to create platinum / palladium prints. This process, and dozens of others, used to be considered ’alternative process’, but of course all analogue photography is now alternative. My latest interest is in a hybridization of the two – capturing digitally, then outputting digitally enlarged negatives (using piezography), and then reverting to the hand-made beauty of platinum / palladium printing process.
TIMING
I’ve been actively involved with photography for over 50-years, and now, for the first time, I feel an urge and now ready to share my work as a ‘re-emerging’ (RE older) artist!
- Ken Lyon
suspensions, tensions + illusions
10 photographs
Abandoned Quarry Tower, Lee MA
Kitchen Lamp, Hacienda de Trancas, San Miguel de Allende
Papel Picado, San Miguel de Allende
Hi-Voltage Lab, Lenoxdale MA
Oculus, Basel, Switzerland
Sculpture at The Mount, Lenox MA
Tin Clad Building, Cartagena, Colombia
Sign, Oaxaca, Mexico
Window Seat, Cultural Museum, Oaxaca
Staircase, Manuel Bravo Center, Oaxaca